And like clockwork, it’s time for me to continue my yearly tradition of dusting off my music critic reviewr hat to conjure up my top five favourite records of 2014. Sure, this list doesn’t match the elitist snobbery of Pitchfork’s list or the complete obviousness of Rolling Stone’s list, but hopefully there are a few records or tracks in here that will give you something new to listen to during the Holiday season.
No this year’s list is a bit of a surprise in that it was dominated by some strong female (or female based) acts, rather than the usual suspects like Beck, St. Vincent, Spoon or even Bruce Springsteen.
(And like last year, you can use the playlist above to listen to all the albums on this list)
The Distiller’s Coral Fang is probably one of my all-time favourite records, so it goes without saying that the first solo record from ex-lead singer Brody Dalle would be on my list for 2014. It also helps that Brody Dalle is the better half of my unhealthy man crush – Josh Homme. Now regardless of those obscure personal biases, Diploid Love is a pretty fierce and fantastic pop-punk record from beginning to end. Yes, it probably won’t appease many of the punk purists out there, but for a main stream release and a first solo record Diploid Love was easily my most played record of the year.
Will not nearly as classic as DFA1979’s legendary You’re a Woman, I’m a Machine, in my biased opinion The Physical World was a far more interesting record than a majority of anything else released over the past year. That unique sound that propelled DFA1979 from obscure Toronto garage act to mythological indie royalty is still there and it came out in spades on this record. Given how passive and lazy music has become in general so far this decade, it was fantastic to be reminded of how exciting and gritty music can actually be.
I honestly have no recollection on how I stumbled across Banks, especially as this is something that is completely out of my usual wheelhouse, but am I ever glad I did. Sandwiched somewhere between English legends Sade and Deftones frontman Chino Moreno’s Team Sleep side project, Bank’s debut album Goddess is as mysterious as it is atmospheric. A dark and misty record that’s filled with just enough variety to leave you wanting more.
Regardless of their faux-Albertan backstory, The Rural Alberta Advantage have been one of my family’s favourite bands for the past few years and this year’s Mended with Gold is just as enjoyable and homely as their previous outings of Departing and Hometowns. With a sound akin to something Blue Rodeo would record if they drank more whiskey and set their bassist on fire, RAA are a furious and grumpy take on classic Canadiana prairie rock.
Jenny Lewis’ previous outing with the Watson Twins was the perfect recreation of classic Loretta Lynn for the naughts. So it comes as no surprise that she would knock it out of the park again with her latest outing of Voyager. Filled with dark and personal songs, Voyager tight ropes the sound from her earlier solo outings and the more recent pop of acts like Haim and London Grammer.
Hozier – Hozier
I feel a little cheese-ball adding this here as, although Hozier is undeniably talented, adding this to my list feels like the ultimate omission of turning into a Starbucks sell out in my old age. That being said, Hozier’s self title record is a fantastic listen from beginning to end and well worth all the hype… now if only someone could hand over my triple-shot-no-foam-carmel-swirly-frappacino I’ll get back to being a grumpy bastard.
London Grammer – If You Wait
One of those amazing finds from partaking in Month of New Music, London Grammar’s If You Wait is a brilliant atmospheric album, if I was still a heart broken and angst ridden 22 year old this album would be the soundtrack to my life.
Run The Jewels – Run The Jewels 2
True confession, this record falls in to the category of it’s December and I suddenly realize that after reading ten to fifteen different best of lists that I know nothing about music and I need to have a record that reinforces my street-cred even though I’m an old fossil for the list. Now that being said, any record that showcases a guest appearance from the reclusive Zach Dela Rocha and hits as hard and dirty as this album deserve a spot on this list.
Taylor Swift – Shake It Off
Alright, I haven’t heard the entire 1989 album, but Shake It Off has to rank up there as one of the greatest pop songs of the past ten years. No seriously, try and ignore this song. It’s fucking impossible. So it get’s a spot on my list solely for forcing me to listen to it on repeat on YouTube so it doesn’t ruin my Rdio algorithm.
(P.S. I also tossed in the Us The Duo cover to not mess up my algorithm)
Usually on my birthday I ramble on about something epic, inane or even ridiculous. But this year to due to travel, work commitments and … I don’t know … possibly a crazy conference that I’m involved in organizing, I unfortunately didn’t have time to vomit out some thoughts to the old word processor. So instead of trying to ramble together some half-witted thoughts, I figured I would instead share a play list that I’ve been quietly compiling of my favourite songs of all time.
So yes, a post with a play list really isn’t anything too deep and nothing mind blowing, but if you’re looking for some new music to listen to over the next few days, just give it a spin.
… and yes, the play list does start and end with R. Kelly.
Love for Macklemore & Ryan Lewis? Check.
Love of guerilla music projects in unusual locations Check.
Then of course this is going to be awesome. Ryan Lewis & Macklemore dropping Can’t Hold Us on a NYC bus.
Oh and here’s how it was made.
Rigging a bus with enough cameras to capture every angle of the duo performing “Can’t Hold Us” in such a small space without giving anything away wasn’t easy. “Our production partner Tool of North America planted GoPros in places where they were pretty invisible,” says Rayburn. “They also planted some camera guys with camera phones.” The agency assures us the people riding the bus had absolutely no idea what was going to happen. “Their reactions to Macklemore and Ryan Lewis’ appearance are 100% real.”
Almost tops, Atomic Tom’s iPhone Subway video…
Jesus, it felt like it was only a few weeks ago that I was posting The Pogues to celebrate Christmas 2012. But alas it’s already been 365 days and thank god we’re finally near the end of 2013.
… but that loaded comment is for another post.
So let’s all take some time away from life this week. It’s time to wish everyone – friends, family, acquaintances, random people of the internet – a very Happy Christmas to you and your family … and like a fresh tin of quality streets, there is no better way to celebrate Christmas than with The Pogue’s Fairytale of New York.
Have a Happy Christmas everyone and all the best in 2014.
So like clockwork, it’s time for me to dust off the neglect of the old c.t.overdrive for some good old year end reflection.
First up on my hit list of things to reminisce about for 2013 is my favourite records of the year. And unlike the past couple of years, I actually had a chance to listen to records in 2013 and to my shock there was enough music to make this list a bit of a challenge whip up. So even though my list doesn’t match up with many of the other lists out there (Yeezus? Really? Arcade Fire? Sort of Really?), here are my favourite records of the year and a couple of also rans to brighten the final days of the year.
P.S. I’ve even created a playlist to make it easier to listen too. I know I’m such a sweet heart.
Before 2013, I absolutely hated Vampire Weekend.
Like, really hated them.
Everything I’ve heard about the band and their music just screamed upty-hipster-douchenozzle. It also doesn’t help that I can’t stand listening to Paul Simon records, but overall Vampire Week was never my cup of tea.
… that was until Modern Vampires of The City rolled out. Either way, it’s hard to argue that this wasn’t the record of the year. Such a brilliant record from start to end that was on a continuous loop throughout our rickety household. Hell we even ventured out to the Ottawa Folk Fest to see them live. Which truth be told was one of three fun evenings we had in Ottawa all year.
I absolutely fell in love with these guys because of some random Washington based Cable TV Program and their killer set at the 2012 Sweetlife festival in Maryland and boy did they kill it with More Than Just A Dream. Such a fresh poppy and throwback sound in comparison to all the vomit inducing auto-tuned crap out there.
Break The Walls is one of the most underrated tracks of 2013.
Anyone who knows me, knows I have an unhealthy man crush on Josh Homme. So it goes without saying that a QOTSA Album would end up on this list. It also helps that Like Clockwork was a solid tripped out musical ride from start to finish… even if it could use a little more uptempo songs of the My God Is The Sun variety.
Anyone who knows me, knows I have an unhealthy man crush on Alex Turner. So it goes without saying that an Arctic Monkeys album would end up on this list.
Wait a second, didn’t I just f###‘n write that line.
Oh well… Mr. Turner and the rest of the Monkeys are up to their best on this album. A far better product than the epic disappointment that was Humbug and AM brings the Monkeys’ back to their wittiest. Plus who can’t be excited about a record with a song called Why’d You Only Call Me When You’re High?
It’s been over 14 years since I was sliding Millencolin and Face To Face records in my Math 30 textbooks, but out of the long slumber The Bronx managed to rekindle my long forgotten love with Punk music in 2013. IV is a fantastic and tight 40 minutes of pure energy and joy… It also helps that their hysterical side project Mariachi El Bronx is just as epic.
CHVRCHES – The Bones of What You Believe
Truth be told CHVRCHES deserves to be on the top five list. I just couldn’t find a space to fit it in. While the Lorde record will probably steal most of the limelight from CHVRCHES this year, The Bones of What You Believe is a great record in the same vein as early Portishead. The track Lies is an inescapable track that should easily be one of the best of the year.
A Tribe Called Red – Nation II Nation
Can’t deny how amazing a year it has been for A Tribe Called Red. Sure they’ve been plagued by that ridiculous Head Dress controversy, but from breaking out of the Can-con doldrums to becoming an international musical success in less than a year is pretty impressive. Also, in my opinion, A Tribe Called Red may do more for Canadian/Native American relations in the long term than any piece of legislation passed in the House of Commons this year.
Cults – Static
I actually really don’t like this record as a whole, but the song I Can Hardly Make You Mad is so damn good. I’d say it’s a track of the year contender, but I don’t have any streetcred left in my old age to make that claim.
Pusha T – My Name is My Name
One of my favourite records from my short lived Music Reviewing career is The Clipse – Hell Hath No Fury. Pusha T, the main reason the Clipse were so brilliant, released My Name is My Name and it totally flew under the radar, but it is worth a spin or two or three.
Robin Thicke – Blurred Lines
I can already hear people rolling their eyes, but hear just me out. Alright, here’s the truth Robin Thicke totally out Justin Timberlake’d Justin Timberlake, by making a record that is the essence of cheeseball R&B at it’s best. Yeah, yeah, yeah … Blurred Lines is over played, but anyone who can openly sing the song Give It 2 U with a straight face deserves my respect. No seriously, listen to that track and try not to burst out laughing when he sings Angel … Try it, I bet you can’t do it.